LONDON, THE ITALIAN CULTURAL INSTITUTE
Ties / Legami, until September 8th, 2017
MILAN, MUSEO DEL NOVECENTO - GALLERIE D'ITALIA
NEW YORK NEW YORK Arte italiana: la riscoperta dell'America, until September 17th, 2017
From the left: Lucio Fontana, Spatial concept, New York Skyscraper, 1962, copper - Pietro Consagra, New York City, 1962, steel and bronze
PARIS,MUSÉE D'ART MODERNE DE LA VILLE DE PARIS
MEDUSA. Bijoux et tabous , until November 5th, 2017
Pietro Consagra, Mask, 1969, white and red gold with turquoise spheres, Photo Ugo Mulas © Ugo Mulas Heirs. All rights reserved
MILAN, GALLERIA TEGA
Pietro Consagra, 14 March-28 April 2016
catalogue: texts by Marco Meneguzzo and Gabriella Di Milia, Galleria Tega, Milan
White Transparent Iron I, 1966, painted iron, cut sheets, bent, welded and painted, 64,5 x 38,3 x 3,5 cm.
One-off in 4 pieces.
Suspended plane, sky-blue aluminium, 1966-67, painted aluminium, cut sheets, bolted, spray painted, 166 x 132x 1,5 cm.
One-off piece.
MILAN, MIART
Section THEN/NOW, Pietro Consagra, Luca Monterastrelli, 7-10 April 2016
FLORENCE, PALAZZO STROZZI
From Kandinsky to Pollock. The Great Art of the Guggenheims, 19 March-24 July 2016
catalogue: edited by Tracey Bashkoff, Susan Davidson, Philip Rylands, Luca Massimo Barbero and Ludovica Sebregondi, Marsilio Editore, Venice
Alienated Mirror, 1961, bronze, 139,5 x 121 x 6 cm. One-off piece. Private collection, Milan.
From Sam Hunter, Pietro Consagra, 1963
MILAN, MILAN TRIENNIAL
Comunità Italia. Architettura/ Città/ Paesaggio. 1945-2000, 28 November 2015-6 March 2016, book published on the occasion of the exhibition: edited by Alberto Ferlenga and Marco Biraghi, Silvana Editoriale, Cinisello Balsamo, Milan, 2015
Frontal City. 40 embryonic buildings, 1968, steel and bronze, 21 x 225 x 100 cm; Frontal City. Transparent Three N° 1, 1968, stainless steel, 36 x 150 x 50 cm; Frontal City. Transparent Three N° 2, 1968, stainless steel, 38,5 x 137 x 32,5 cm; Frontal City. Transparent Three N° 3, 1968, stainless steel, 36 x 150 x 50 cm. Photo Gianluca Di Ioia, Triennial.
The Frontal City
PALERMO, RISO MUSEUM OF CONTEMPORARY ART OF SICILY
In the Middle of the Middle. Contemporary Art in the Mediterranean, 10 October-30 November 2015
catalogue: edited by Christine Macel, Marco Bazzini and Bartomeu Mari, Edizioni Lussografica, Caltanisetta
Mediterranean Mirage, 1961, bronze, 139 x 110 x 4,6 cm. One-off piece.
Private collection, Naples.
Combined red suspended plane, 1964, painted wood, 147 x 127 x 2,2 cm. One-off piece.
Private collection, Milan.
PALERMO, GALLERY OF MODERN ART
Sicania (Monument to the Sicilian Trade Unionist) and Sala Consagra, inauguration of the permanent installation, 9 October 2015
Reproduced on the invitation: Green Background (Sixteen images), 1984, tempera on canvas, 210 x 180cm.
from Pietro Consagra, Dipingendo, 1991
SAINT LOUIS, MILDRED LANE KEMPER ART MUSEUM
Washington University, From Picasso to Fontana: Collecting Modern and Postwar Art in the Eisendrath Years, 1960-1968, 23 January-19 April 2015
Sailor’s Story , 1961, bronze, 130,5 x 123,8 x 10,2 cm. One-off piece. Mildred Lane Kemper Art Museum.
MILAN, TRIENNALE DI MILANO
Arts & Foods. Rituals since 1851, 9 April-1 November 2015
catalogue: edited by Germano Celant, Electa, Milan
Frontal Furniture, 1958, painted wood, cm 198 x 160 x 80.
MILAN, BRERA PICTURE GALLERY
Muraglia “Cangrande” di Pietro Consagra, inauguration of the permanent installation, 6 February 2014
“Cangrande” Wall, 1977, Magnaboschi Red Marble, base in white Verona marble, 300 x 360 x 55,5 cm.
NEW YORK, GUGGENHEIM MUSEUM
Art of Another Kind. International Abstraction and the Guggenheim, 1949-1960, 8 June-12 September 2012
catalogue: edited by Tracey Bashkoff and Megan Fontanella, texts by Megan Fontanella, Flavia Frigeri, Tracey Bashkoff and Joan Marter, Guggenheim Museum Publications, New York
Uman Conversation, 1958, burnt wood,
132 x 115 x 20 cm. One-off piece.
Solomon R. Guggenheim Museum, New York.